Download Photomator for Mac

In the edit

Wedding photographers, studio shooters, and anyone who spends their evenings culling and correcting knows that the right editing tool makes or breaks a season.

Batch-edit hundreds of RAW files in one go

• Batch editing a full wedding gallery — apply colour adjustments, crop, or straighten across hundreds of RAW files at once.
• Removing an errant microphone or a stray person from a group shot with the clone and repair tools.
• Matching the look of one photo to another when you need a consistent feel across a set.
• Cleaning up colour banding in skies or gradients using Smart Deband.
• Working directly with the Photos app and iCloud Drive so edits stay synced between your Mac and iPad.

Works on macOS 13 or later, Intel and Apple Silicon

• It runs on macOS 13 or later and works on both Intel and Apple Silicon Macs.
• RAW support is thorough: version 3.4.15 adds compressed RAW from Sony Alpha ILCE-7M5, Fujifilm GFX 100S II, GFX 100RF, and High Efficiency RAW from Nikon Z5II and Z50II, plus Panasonic LUMIX DC-S1RM2 high-resolution mode.
• Denoise relies on Core ML, so the M-series chips handle it particularly well.
• The interface is available in nine languages including English, French, German, Japanese, and Chinese.

Runs smoothly alongside your current photo workflow

Photomator 3.4.15 is built to sit alongside your existing photo workflow without demanding a system overhaul. It needs macOS 13 or later, and it runs on both Intel and Apple Silicon Macs. Because it taps into Metal for display rendering and Core ML for the denoise and selection tools, you get the benefit of Apple's own optimisations rather than a third-party engine bolted on after the fact. The app integrates with macOS Ventura's Photos app, so if you already keep your library there, Photomator sees it as a native extension rather than a separate island. Edits sync through iCloud Drive when you want them to, which means you can start a retouch on your Mac and finish it on an iPad without exporting and re-importing.

The installer is straightforward — mount the disk image, drag the app into your Applications folder, and launch it from Launchpad. No background services, no additional helper tools. The app weighs in as a standard Mac application, so it opens and closes like any other. If you work with a large catalogue, you will appreciate that it handles over 650 RAW formats natively, including Apple ProRAW and compressed Fujifilm files. That matters when a client hands you a card full of RAFs from a GFX body and you do not want to convert before you start editing.

Copy and paste edits across multiple photos

Some of the most useful features in Photomator are the ones you do not notice until you need them. The copy and paste edits function is one: you can adjust a single photo until it looks right, copy the full set of colour and exposure changes, then paste them onto any number of other images. It works across formats too, so a correction you dialled in on a JPEG can apply to a RAW file from a different camera. That saves time when you are matching a reception set shot on two bodies.

Another quiet helper is the Smart Deband tool. Banding shows up in skies and gradients more often than people expect, especially after heavy compression or when exporting from a limited colour space. Instead of painting over it, Photomator detects the banding and smooths it out in one pass. It is not a filter you apply to everything, but when you need it, it is faster than any manual workaround.

The AI-based selection for subject, sky, and background works with a single click. It is not a lasso tool that demands patience — you click the sky, and the app isolates it. From there you can adjust exposure or colour balance without affecting the rest of the frame. The same logic applies to selecting a person or an object. For a wedding shooter, that means brightening a face against a dark church interior without masking by hand.

Language support covers English, Russian, German, Spanish, Italian, Chinese (Traditional and Simplified), Korean, Portuguese, French, and Japanese. If you share your Mac with a colleague or assistant who works in a different language, switching is handled through the system settings.

Layer adjustments, not just one-click presets

The most common slip is treating Photomator like a one-click filter app. It can apply presets for landscape, black-and-white, and other looks, but the real strength is in layering adjustments. New users often apply a preset and call it done, missing the chance to fine-tune exposure, shadows, or individual colour channels underneath. The presets are a starting point, not a finish line.

Another mistake is forgetting that batch editing respects the edits you copy, not the original file. If you copy adjustments from a photo that has already been cropped and straightened, those same crop and straighten values apply to every photo you paste onto. That can be useful when you want a uniform crop across a set, but it is a surprise if you only meant to paste the colour correction. Always check what you have copied before you apply it to a batch.

Some users also overlook the upscale tool. It is not meant for huge prints straight out of a phone camera, but it works well when you need to push a web-resolution file a little larger for a social crop or a small print. The mistake is expecting it to perform magic on heavily compressed JPEGs. Feed it a clean file, and it does its job quietly.

Finally, people sometimes open a RAW file, make a few adjustments, and export without checking the denoise slider. Core ML denoise is particularly effective on files shot at moderate ISOs, and skipping it means leaving noise reduction on the table. It is worth a look on every image that was not shot at base ISO.

Start with Photos app integration for seamless edits

Start with the Photos app integration if you already use it. Open Photomator and let it see your library. That way, any edit you make appears back in Photos without a separate export step. If you do not use Photos, you can drag folders straight into Photomator's browser and work from there. Either approach works; pick the one that matches how you already organise your files.

Spend ten minutes with the colour adjustment tools on a single RAW file. Slide exposure, highlights, shadows, and white balance until you get a look you like. Then copy those edits and paste them onto a second photo taken in the same lighting. That one test will show you how much time batch editing saves on a real shoot.

Try the clone and repair tool on a photo with a small distraction — a label on a wall, a stray cable, a spot on a lens. The tool behaves like a brush, so you set the source area and paint over the unwanted element. It is not a content-aware fill that guesses for you; you control where the sample comes from. Once you get the feel for it, it becomes faster than switching to a dedicated retouching app.

If you shoot RAW, check that your camera model is listed in the supported formats before you commit to a full workflow. The version 3.4.15 update added support for compressed Sony Alpha ILCE-7M5, Fujifilm GFX 100S II and GFX 100RF, High Efficiency RAW from Nikon Z5II and Z50II, and Panasonic LUMIX DC-S1RM2 high-resolution mode. Older models are covered by the existing 650+ format library, but it never hurts to confirm.

Lastly, set aside a few minutes to browse the presets. They are organised by style — landscape, black-and-white, and others — and you can preview them in real time. Pick one that comes close to your usual look, then tweak the sliders underneath. That combination of preset plus manual adjustment is faster than building everything from scratch, and it gives you a consistent base to work from across a whole gallery.

New this release

• Bug fixes and performance improvements.
• Compressed RAW support for Sony Alpha ILCE-7M5, FUJIFILM GFX 100S II, and FUJIFILM GFX 100RF cameras.
• High Efficiency and High Efficiency Star RAW support for Nikon Z5II and Nikon Z50II cameras.
• RAW support for Panasonic LUMIX DC-S1RM2 cameras in High Resolution mode.

Mac it needs

• macOS 13 or later
• Intel or Apple Silicon processor