Depth Scanner
1.15.6
- Version
- 7.3.4
- Developer
- Dehancer
- Interface in
- English
- Licence on file
- Included
- macOS it runs on
- macOS 11 or later
- Chip support
- Apple Silicon, Intel 64-bit
In the edit
You’ve got a wedding reel that needs to stop looking like a flat log mess and start looking like something you’d print. The grade is fine, the exposure is fine, but it’s missing that texture — the grain, the colour response, the tiny imperfections that make a still feel alive. That’s where Dehancer Pro for DaVinci Resolve comes in, and here’s how one realistic session goes.
- Drop the OFX plugin on your node. It sits in the OpenFX panel, right where you’d expect. One click, and the film profiles appear.
- Pick a stock from more than 60 profiles. You scroll through Kodak Vision3 250D, Fuji Eterna, whatever matches the light you shot in. The preview updates in real time.
- Dial in the grain. The plugin gives you control over grain size, amount, and even the colour of the grain. You set it to something that looks like a 35mm scan, not a TikTok filter.
- Add film damage if the scene calls for it. Dust, scratches, gate weave — all optional, all adjustable. For a clean edit, you leave them off. For a moody reception dance, you add a little.
- Export a LUT if the client wants consistency. The built-in LUT generator turns your grade into a .cube file. You apply it to other clips without re-rendering the whole timeline.
That’s the workflow. No menu hunting, no external apps. The plugin handles DWG, ACES, and Cineon pipelines, so it fits into whatever colour management you already use. Version 7.3.4 just cleans up some bugs and performance — nothing flashy, just a bit more stable when you’re grading a full day’s shoot.
Working a full wedding day through it
Here’s a scenario from a photographer who also cuts the highlight reels.
You set up a Power Grade in Resolve with Dehancer Pro on your first node, pick Kodak Vision3 500T as your baseline (it handles mixed colour temps well), and tweak the halation just enough to soften the highlights on the bride’s dress. That power grade gets saved, then applied to every clip in the timeline. From there, it’s per-scene adjustments: reduce grain on the clean outdoor shots, bump it up for the dimly lit first dance.
The overscan feature becomes useful when you’re cropping in for close-ups — the exposed edges stay filled, so you don’t get those jarring black borders after a stabilisation pass.
What a colourist friend asks about
If you share a project with someone who doesn’t own the plugin, they’ll see a disabled node. The workaround? Use the LUT generator on your graded clips, export a .cube, and they can apply it as a regular Look-up Table. They lose the grain and halation controls, but the colour response stays close enough for feedback rounds.
For those searching, dehancer pro for davinci resolve mac free download or dehancer pro for davinci resolve torrent will land you on the right pages. Just make sure your macOS is 11 or newer, and check whether you’re on ARM or x86 — the plugin supports both.
New this release
- Bug fixes and performance improvements.
Mac it needs
- macOS 11 or later
- Intel or Apple Silicon
- DaVinci Resolve (OFX host)
Questions I actually get
Does Dehancer Pro work with DaVinci Resolve on Apple Silicon Macs?
Yes, the plugin runs natively on both Intel and Apple Silicon Macs, as long as you’re on macOS 11 or later.
Can I use Dehancer Pro just to generate LUTs without grading in Resolve?
Yes, the plugin includes a LUT generator that exports .cube files, so you can apply the film look outside of Resolve if you prefer.
Installing on a Mac
- Check that your Mac meets the system requirements (macOS 11 or later).
- Install the downloaded plugin package.
- Follow the included activation instructions.
Notes from photographers
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No notes from photographers yet. If you have used this on a real folder, say which camera and which Mac.
